Oscar Carballo, Bachelor of Fine Arts, Spanish, born in Buenos Aires and based in Altea (Alicante). His creative side covers many fields has been developed in different countries, first by himself and then as a graduate. Formation-Bachelor of Fine Arts. An introduction UMH-Diploma in University Teaching. (Didi) - Staff training plan Teaching and Research of the UMH (2005-2006). Sculpture-Divisin. Dept. of Arts, Humanities and CC.SS. And JJ. Fine Arts University Campus UMH Altea (10/03/2005 to 31/07/2006). -Collaborating mounting exhibitions. Alicante University Museum (MUA)-Divisin Drawing. Dept. of Arts, Humanities and CC.SS. yJJ. UMH University radiofnico Art Program Coordinator Waves. Altea Municipality courses, seminars Mario Engraving Lovisolo. Buenos Aires (Argentina)-Study of painting John William Brewster. Jean Le Pain (France). "Studies painting and drawing workshops Italy and Spain. -Courses taught by JosArjona screen printer. Casa de Cultura de Altea-Alicante. (Spain). -Course "Procedures in the print indita line" given by JosFuentes (Catedrtico Engraving from the School of Salamanca) in School l International Gravat dEstiu. Calella, Gerona. (Spain). -First National Congress of Art and Disabilities. Altea. NET-ART-Art on the Net (July 2004) Universidad Europa de Madrid-VIII Museolog Days. MARQ. Alicante. (2004)-Entry to the direction of Contemporary Art (2005). Finca La Barbera dels Aragons. Villajoyosa City Council Landscape .- .--Figuracin Directed by Christopher Gabarrn. Altea Fine Arts Faculty (May 2006) "Technologies and Strategies for artistic creation (May 2006). Altea Fine Arts Faculty. Career - Design of jewelry and accessories in leather and metal. - Textile and Fashion Design (creation and realization). Founder workshop citric acid - in collaboration selecciny reproduction of visual material and the production of original images for the course-seminar: "Western culture as a culture of image, Joan Mir-Centre organizFundacin dEstudis dArt Contemporany. Barcelona. (Spain). - Fundel printmaking workshop "THE CAP" with other artists. - graphic design for both private companies and public institutions. - Imparticursos of " Introduction to printmaking calcogrfico "and" in the print calcogrfico Profundizacin. "Casa de Cultura de Altea. - Member of the Commission of Plastic Arts of the Casa de Cultura de Altea. ( 97-99) - Radio Coordinator university programs in Altea. Ayuntamiento de Altea .- (2006) collaboration in publications, artwork and articles for the magazine "Els Quatre Cantons." Altea. "Presentaciny criticism in catalogs of exhibitions by local artists. "fashion and textile designs exclusively for the magazine" PRIMA (Sarpe group Axel Publishers). Madrid. Cover and design- of the magazine No 1 "Crossword" Freudian Society Alicante. Exhibition-San Telmo-Buenos Aires-Hall of samples of Eugenio C. Osorio-Ro-Galera de Janeiro-Brazil-Saint Rphael. Cte dAzur. France. Porto Fino. Costa dei Fiore. Italy. "Mostra dArt. Cultural Hall of the Caixa dEstalvis dAlacant i Murcia. Altea, Villajoyosa Culture House (Group Esquitx)-Caja de Ahorros de Altea, Altea la Vella-(Group Esquitx)-INTERART International Fair of Stuttgart. Germany Galera Stuck. Germany-Caja de Ahorros de Alicante and Murcia.Calpe (G. Esquitx)-Galera IM TANNER. Zofingen. Switzerland recorded IX Award "Carmen Arocena. Madrid-Artedo 82. International Art Show-Gallery Grfico.Bilbao "LA NUOVA Papessa." Rome. Italy-ART Lanuza. Altea. "Galera" the Fona. " Oliva. "Galera" Cova dArt "- Altea-Altea-ART Lanuza. -Work selected in the Sixth Round of Plastic Arts. Provincial Council Alicante. -I-dEstiu.Altea Soltici Mostra Contemporary Art Museum. Pego. Alicante (Group bezel)-Box-Murcia Exhibition Hall. Murcia (Group bezel)-Sala Caja de Sagunto. Valencia (Group Bezel) Tocamarro. Pedreguer. Alicante (Group bezel)-Casa de Cultura in Alfaz del P. Alicante (Group bezel)-Showroom Btera Old Town Hall. Valencia (Group bezel)-5 Anniversary Collective Mostra Tocamarro .- Pedreguer. -VI Mostra Solstici dEstiu. Tocamarro .- Pedreguer Altea-Altea .- Casa de Cultura. Punt i-Galera, Galera Ratlla .- Valencia-Valencia Punt i Ratlla.. (Collective)-Casa de Cultura de Altea. Altea - "Balconades 97" .- .- Altea Old Town. Altea, Galera-Balconades Sorolla .- 98 ".- Old Town Altea-Galera El Sol - Altea." Escorial Royal Mews. Exhibition: Altea and its Painters. Madrid. - "Balconades 99" Helmet Old-Altea. "Executed projects Poster 20 anniversary of the Moors and Christians in Altea.-Espai dArt "The Caf". Altea, Galera "The Drac" .- Altea-Exhibition Hall "Jvea Clinic." Moraira-Hangars Chamber of Trenet. Altea-space public. Ayuntamiento de Elda-Campus Fine Arts Faculty. UMH-parallel reflections (Besides Adrin Solbes). Sculpture June 29-July 15, 2006 .- Exhibition Hall Facultad.BBAA Altea - + BLACK - (June 20-July 15, 2006) CULTURAL ESPAI OBERT Altabix Building. UMH Elche Campus FUNDS-Galera "The Fona." Oliva-Galera "Once." .- Alicante-Denia Culture House and Gallery .- .- Caja Murcia Murcia-Galera IM TANNER. Switzerland. -COAG (operating Collezione di Arte di graphic). Rome. Italy City of Altea. Altea-Library-City Hall Zofingen (Switzerland)-Casa de Cultura de Altea. Altea Fine Arts-School. UMH-Private collections. Oscar's paintings on the walls evolve into the artist's creative ability, varying on the female geocentrism improving the technique to own colorful, crawled into the unconscious of the author, obtained in the process, what happens to other media .- The issue surrounds the woman, is ceirla, delimit, delimiting .- repeated theme is the most used their representation from prehistory, where uninmgica fertility, and the work of Oscar Carballo attached to sexuality in an intimate ascent, solitary brazen face showing the viewer, that makes accomplices-voyeur d inner experience .- A woman side view of the artist, shows mystery, love, feelings of admiration .- l Look at the look of it, hidden in the white other times in the vacuum, and lately, in soft glazes, masked announcer .- mask of something hidden in her eyes as we look elsewhere .- Other topics appear from everyday objects, the chair from his apparent stasis , moves, jumps, scares us from a perspective that is upon us, to show the vitality of objects that go unnoticed in daily life .- Juan Ignacio Martinez